The latest January action blockbuster is here, but is it any good or just mindless trash? Join Thomas Richards as he reviews Jason Statham’s latest outing, The Beekeeper.
Would you like to talk to loved ones you’ve lost? How about if the cost was having to talk to a creepy woman in a basement wearing a burlap sack over her head? Thought not. Join us as we review the new horror movie Baghead
After ten years, the DCEU has come to an end, but did this universe go out with a bang or a whimper? Join Thomas Richards as he gives his thoughts on the final film in the DCEU, Aquaman and the Lost Kingdom.
The highly anticipated Rebel Moon by filmmaker Zack Snyder is now available on Netflix. Is it worth the watch? Let’s dive into the critical reviews and what should help guide you on your quest to watch or not watch this movie.
“The Iron Claw," a compelling wrestling film directed by Sean Durkin, dives deep into the tragic yet hopeful saga of the Von Erich family, a wrestling dynasty that ruled Dallas in the 1980s. From intense wrestling setpieces to the family's heart-wrenching struggles, the movie captures the ebbs and flows of their lives, making it a must-watch for both wrestling enthusiasts and general moviegoers alike.
The Boy and The Heron, the latest film from Hayao Miyazaki and Studio Ghibli, has hit theatres, but does it live up to its reputation? Join Thomas Richards as he reviews the latest from this critically acclaimed team.
On the menu for today is: roast turkey, sweet potatoes, gravy, and MURDER! We review Eli Roth’s new holiday-themed slasher movie, Thanksgiving. It’s no turkey, but it may leave you hungry for more!
After almost a decade, The Hunger Games is back with an origin story for its despicable villain. Join Thomas Richards as he reviews The Hunger Games: The Ballad of Songbirds & Snakes.
Another superhero origin story from DC is here, but is it any good? Join Thomas Richards as he shares his thoughts on the latest outing from DC, Blue Beetle.
Him should have been a homerun, blending sports and horror and coming from Jordan Peele’s production company, but it wasn’t. Let us tell you why not even a career-best performance from Marlon Wayans could save this film